Nearly seventy years after the classic film hit the big screen, White Christmas is here for us Notts lot to enjoy on stage...
Did I mainly decide to go and watch Irving Berlin’s White Christmas so I could spend some quality time with me mam? Yes, in truth. But let’s be real, nothing better summarises the appeal of this all-singing, all-dancing classic than that statement - it’s the type of event that can entertain the whole family. This is no more obvious than when taking a quick scan of the Theatre Royal crowd, which - while largely older - is peppered with people of all ages. It’s a show that attracts everyone, and with its sharp sense of humour, bold dance routines and solid performances, it’s easy to see why.
Considering this is a production that’s largely popular because of the titular song associated with it, the musical elements of White Christmas were always going to be important. And on this front, this West End production fully delivers.
Led by pitch-perfect musical direction, each big band number and old-school swing song is excellently delivered. Showcasing his talent, Newark’s Jay McGuiness is something of a surprise package, and he’s joined by stunning vocalists including Jessica Daley and Monique Young, whose range is, quite frankly, ridiculous.
Across several complicated choreographies, some of which span minutes at a time without a break, the audience is mesmerised by the quick footwork of those on stage
Yet it is in the dance sequences that things reach a new level. Across several complicated choreographies, some of which span minutes at a time without a break, the audience is mesmerised by the quick footwork of those on stage. Whether it’s tap-dancing or ballet, the whole cast manages complex arrangements with ease.
And it’s in these moments that Dan Burton begins to steal the show. A charismatic presence from the off, Burton’s energy is infectious; his ability to keep a wry grin on his face while leaping like a salmon across the stage is genuinely impressive. He’s already been nominated for an Olivier Award, and with performances like this, it’s hard to imagine that being his last moment in the spotlight.
Not only does a West End show like this attract supremely talented stars, though, it also guarantees top quality production design - and this comes through with force. Each set is deeply immersive, with moving parts aplenty. The night culminates in a festive scene, with a giant Christmas tree and fairy lights on display - and as the fake snow comes down and the crowd join in with a chorus of White Christmas, it feels like the perfect start to the Yuletide period.
Aside from a couple of slightly over-the-top performances here and there, this is the perfect tribute to a classic film. So go on, take your mam out for the night, she’ll love you for it.
White Christmas is showing at the Theatre Royal until Saturday 26 November
We have a favour to ask
LeftLion is Nottingham’s meeting point for information about what’s going on in our city, from the established organisations to the grassroots. We want to keep what we do free to all to access, but increasingly we are relying on revenue from our readers to continue. Can you spare a few quid each month to support us?
